Ohm_La_Da_Terra

shôra white dove qnt é? a entrada

Parabens! a vossa música está excelente! continuem!

Sim á não-violência! Ahimsa para todos! Sublinho:

Boa Sorte para OmiqProject Bolas... O live nem aparece anunciado no site... enfim...

gostei do inicio da "voices from waves", mas depois acho que a música se perde um pc! presisa de mais algum trabalho! força!continua aí

que cromo! lol

Você é uma tartaruga! Este animal é o símbolo da sabedoria. Você sabe melhor do que ninguém que "devagar se vai ao longe" (é melhor fazer tudo com calma e direitinho para não tomar o caminho errado, não é mesmo!?!). Este seu jeito de levar a vida lhe traz uma baita experiência, que poderá ser compartilhada com os outros. A tartaruga sempre carrega muita bagagem nas costas. Lembre-se: você tem a voz do conhecimento. Quando ela recolhe a cabeça, muitos pensam que é covardia, mas na verdade, daí vem todo seu poder de concentração.

shoking!! o Incosma Dorme?! hahah Bem... Grande prémio mesmo! :><P:

Parabens Ketelf!! felicidades abraço

http://www.psyshop.com/shop/CDs/pea/pea1cd904.html

Os novos fóruns da Goagadar/Quantic Chill foram finalmente inaugurados no dia 12 de Março de 2005! Ja temos casa nova pessoal! Passem por lá http://www.goagadar.org

Ah...Dancing Aqui Vai o Pouco de História: History Prehistoric cave paintings depict figures in animal costumes who seem to be dancing, possibly in hunting or fertility rituals, or perhaps for education or entertainment. In ancient Egypt, dancing was essential to agricultural and religious festivals. Warrior or pyrrhic dances were part of military training in ancient Greece, and religious dances are believed to be the origin of dance in Greek drama. Variations of peasant dances originating in the Middle Ages (5th century to 15th century) continue today as folk dances, which are usually group forms that are passed from one generation to another. Ballet originated in the courts of Italy and France during the Renaissance (14th century to 17th century), becoming primarily a professional discipline. In the late 19th and early 20th centuries, reaction against ballet's traditional forms led American dancers Isadora Duncan and Ruth St. Denis, Swiss educator Émile Jaques-Dalcroze, Hungarian dancer Rudolf von Laban, and German dancer Mary Wigman to develop forms of modern dance. Popular and social dances, which are recreational forms, resemble folk dances in that they are for participation, are relatively easy to learn, and generally originate from the people rather than from a choreographer. In the late 18th and 19th centuries, the waltz and polka, originally peasant dances,evolved into social dances. In the United States various immigrant dances merged into new forms, such as tap dance. Popularized by American dancers Irene and Vernon Castle, ballroom dances swept Europe and America in the early 20th century. The syncopations and movements of African-American dance evolved into forms such as the Charleston and the jitterbug, eventually merging with rock-and-roll dances. Such stars as American dancers Fred Astaire and Ginger Rogers popularized dance in motion pictures. The groundbreaking dance sequences in Oklahoma! (1943), with choreography by American Agnes de Mille, inspired a larger role for dance in musicals. Frequently relying on symbolic gestures, masks or elaborate makeup, and magnificent costumes, Asian dances often narrate stories based on mythology, historical events, and legends. In Indian dance, classical dance forms have been revived on the basis of old manuscript descriptions and temple carvings. Japan, rich in folk dances, also has two major forms of dance-drama: no, a slow-paced dance and opera form, and kabuki, a form using theatrical devices. With its spectacular acrobatics, Peking opera is the best-known genre of Chinese dance-drama. In Indonesian dance, especially that in Java, female dancers formerly entertained royalty; in Bali, masked dramas and spirit-possession dances remain a part of village life. Sub-Saharan African societies use masked dance when members imitate or are possessed by spirits. Dancing at rites of passage is also common. Oceanian dances, such as the Hawaiian hula, are often associated with storytelling or poetry. In New Guinea, dances are frequently performed in connection with warfare. North America's native peoples, rich in dance tradition, have developed pan-tribal social dances for performance at intertribal powwows. In Latin America, dances for religious and secular purposes remain a living tradition among many Native American tribes. Other Latin American dances borrow from African dance movements or combine Spanish movements with elements of Native American dances. Native Americans engaged in a variety of rituals. As a person passed through the stages of the life cycle- obtaining a name after birth, seeking a guardian spirit at puberty, setting off at death for the journey to the afterlife- rituals marked the passages. In prayer, Native Americans used gestures and words as well as songs and dances to communicate with the spirits. Ceremonial observances of prayer and thanksgiving took place at critical points in the agricultural or hunting season- for example, upon the return of the first salmon from the ocean to the rivers; at the times of planting, ripening, and harvest; upon the appearance of sap in the maple trees; or at the summer and winter solstices. New religious movements among Native Americans have at times taken on the character of crisis cults, which respond to cultural threat with emotional rituals. In the late 1800s some Native Americans believed that if they conducted a ceremony known as the Ghost Dance, depleted animal populations and deceased relatives would be restored. For several years, many indigenous peoples in the western part of North America performed the ceremony, even after United States Army troops massacred Sioux ghost dancers at Wounded Knee in South Dakota in 1890. The Ghost Dance of the 1880s spread among a number of tribes that were all undergoing similar upheavals, and indigenous peoples of the Great Plains shared in each other's Sun Dances. The preeminent pan-Native American religious development, however, has been Peyotism, a religious movement centering on the sacramental ingestion of peyote, a mildly hallucinogenic cactus. In 1918 Peyotism was formally incorporated as the Native American Church. The group's status as a religious organization enabled members to seek legal protection for the ritual use of peyote. In the mid-1990s membership in the Native American Church was estimated to be 250,000. Between the l880s and l930s, U.S. authorities attempted to ban Native American religious rituals, including the Ghost Dance, Sun Dance, and peyote cult. In Canada the same restrictive tendencies prevailed. In more recent years, however, governmental authorities have adopted a more supportive attitude toward the practice of native spirituality. In 1978 the Congress of the United States passed the American Indian Religious Freedom Act, an official expression of good will toward Native American spirituality.

Hahhaaaha

boa boa! também tenho de ver esse Cubo

beijocas onde quizeres,afinal tu é q fazes anos hehe :kisssss:

e mais parabenss!!! :flowers: beijocas

floating machine: hehe foi um prazer ter ido

:hammer: Tão Não! hehe Sim Senhora que bela festa! Ambiente bastante familiar no chillout, pufs, calor humano, bela decoração, uns cinzeiros... enfim ingredientes necessarios que proporcionam muito boas horas hehehe Boas horas que la passamos hehe! gustei bastante do Live dos omiqproject altamente! continuem com essa força! Gustei tb muiiiiito do Live e set de dynamo! os homens não paravam! 5 estrelas Gustei da decor também do danceflor,apezar de tar a espera d mais qql coisa... hehe Parabens á PLUR! Bela Festa! Voudar ali um premio ao Shô Goa Zé!homem smpr no dancefloor :hammer:

pena é não haver lives no chill, pena Tb o hallucinogen ter ficado em casa a produzir :toosad: Anyway ,maybe i will go!

Foi um prazer ter revisto o pessoal que ja não via á algum tempo! elastikk fantastik ! Gostei bastante da manha e tarde! bastante agradavel! tb curti muito ter tucado! calhou numa boa hora hehheehe

hey! thnks Pype! La estaremos todos para curtir a festa!

Shpongle LIVE, Halucinogen LIVE, Shulman LIVE

Astralprojection!

tirem daqui estes cães! eles querem matar-me! :><P:

ahh e tragam xupetas e fraldas...